Monika Fabian is a journalist and writer based in New York City. Her beats and interests include U.S. Latinos, art & culture, travel to Latin America, LGBT stories, and immigration. Monika’s writing has appeared in El Diario/La Prensa, Feet in 2 Worlds, Hora Hispana, Metro, MTV IGGY, New York Daily News, NY Press, Time Out New York, Univision News, and WNYC.
Yesterday I asked who among today’s crop of Latin singers might be able to lead a Latin soul revival and carry La Lupe’s torch into 2013. Unsurprisingly, you guys came through with some very viable options.
But before we get into it, here’s some La Lupe for the uninitiated:
Afroxander kicked off the convo with “My vote goes to Lila Downs.”
@Planetaclaire offered Ileana Cabra (bka Calle 13’s PG-13)
And yours truly would give the crown and sceptor to La India. I’d love to see a late-60’s soulful second act from her. It’d probably sound a lot like this cover of La Lupe’s “Que Te Pedi.”
Would not be mad at a La Lupe-esque retro Latin soul revival akin to Amy Winehouse and Adele with (Anglo) retro-soul.
But who, if anyone, could pull it off?
I’m awestruck by these guys. I’ve been a fan since 2011’s “Pan Con Queso,” their clever take on “Black and Yellow.” It’s easy to write Juan Bago & O’s work off as spoofy farce or satire. But digger a little deeper and their music is connected to several (NYC) Latin(o) American traditions e.g., urban hybridity, covered music, slice-of-life narratives, and even a little social commentary albeit with ‘a mal tiempo buena cara’ (a good face to bad times) kind of coloring.
I’m fascinated by the expressions of bicultural and binational identity and territoriality in this latest track “Dominican Problems.” Here they are rapping in Spanglish throughout Inwood and Washington Heights, Dominican New York’s northern Manhattan strongholds, over what was once an English-language song by an artist who grew up a few miles south (in Harlem), about Dominican culture in New York City, the Dominican Republic, and the Dominican internet.
And given all that fluidity in identity and territory, it’s especially interesting that the video’s conflict is centered around a Dominican(-American?) who shed his accent, went prep/yuppie, lives in Long Island City, Queens, and forgot (or unlearned) his Dominicanness. It suggests that there are defined cultural boundaries or standards even for these deeply protean biculturals. If bicultural New York Dominicans are ni de aquí, ni de allá (not from here nor from there), then what the two bicultural Dominicans are tacitly conveying to the pocho (as Mexican would say) in “Dominican Problems” is “you can be de aquí and you can be de allá, but you can’t be de aquí without being de allá.”
UPDATE: Grab the mp3 here.
I had the luck of chatting with the great fellas of A Tribe Called Red back in January when they performed at globalFEST. That interview went up yesterday on ABC-Univision. Have a look.
No more reading or listening to people who tell me I can’t pursue writing that will be intellectually, spiritually, emotionally, as well as, economically fulfilling.
“I don’t think that the answer to all our problems is gonna be one book. But I do think the answers to all our problems are gonna be found in the creative.
Because the creative…when we create, we’re basically sending a little map, and sending it forward into the future. 95% of the maps disappear, vanish, get destroyed. But some of them are gonna make it through. Some of them are gonna make it through. And it’s remarkable what they might do.It’s remarkable who they might affect, who they might help.
I mean look, we’re humans, man. We’ve got a long history of screwing everything up, and of victimizing each other. But we also have a long history of continuity, of resistance, and of creative survival. And that’s always been helped tremendously by our art, by our songs, by the cultural stuff that we pass on from the past into the future.
And that’s not a bad thing to be a part of. In a world of many vocations, this seems like…not a bad one.”
The rise and fall of music delivery formats over the past 30 years, in an animated GIF.
Complement with the history of modern music in 100 riffs.
Heres a special selection to start of 2013 featuring African, Caribbean & Eastern sounds. An all vinyl roots mix to warm up laptops and ipods.
This late February Sunday afternoon was made for listening to Quantic’s mixtape.
Just start from the top and roll through the selection of intriguing retro-future tropical experimentations from the band’s catalogue.
That moment when your seemingly separate interest tangents suddenly fit together and make sense.
Fifty years ago, this was the ‘valley of heart’s delight’, one of the biggest orchard-growing regions in the world. It wasn’t to everyone’s delight: Cesar Chavez and the United Farmworkers movement started in San Jose, because the people who actually picked all those plums and apricots worked long hours for abysmal wages, but the sight and smell of the 125,000 acres of orchard in bloom was supposed to be spectacular.
Where orchards grew Apple stands. The work hours are still extreme but now the wages are colossal – you hear tech workers complaining about not having time to spend their money. They eat out often, though, because their work schedules don’t include a lot of time for shopping and cooking, and San Francisco’s restaurants are booming. Cafés, which proliferated in the 1980s as places to mingle and idle, are now workstations for freelancers, and many of the sleeker locales are routinely populated by silent ranks staring at their Apple-product screens, as though an office had suddenly been stripped of its cubicles. The more than 1700 tech firms in San Francisco officially employ 44,000 people, and a lot more are independent contractors doing piecework: not everyone rides the bus down south. Young people routinely make six-figure salaries, not necessarily beginning with a 1, and they have enormous clout in the housing market (the drivers of the Google Bus, on the other hand, make between $17 and $30 an hour).
From Rebecca Solnit’s essay “Google Invades,” on tech’s cultural takeover of the Bay, in the London Review of Books. [via]
On this the official day of cursiness, I’m giving myself permission to offer my valentine to my place of birth and home, its music, and its buskers—especially the gentleman on the 4 train playing a piercing plastic electronic saxophone in the hood and the gal doing lovely acoustic folk-pop on the 5th Ave 7 train platform right now.
There are some days (like today) where I love interviewing more than I do writing. I’m so lucky to do what I do. That in my work I get to meet and speak with such talented artists and wise, extraordinary every day folk.
Recent work:
"An Acquired Taste" | Preview, New York Daily News, Apr 2013
"Cuban Dissident Yoani Sanchez on the Power of the Hashtag" | Feature, ABC-Univision News, Mar 2013
"A Tribe Called Red Brings its Electric Pow Wow to Your Hood" | Interview, ABC-Univision News, Mar 2013
"What's In Your Suitcase? La Marisoul of La Santa Cecilia" | Feature, ABC-Univision News, Feb 2013
"MTV's 'Washington Heights' Ain't No 'Jersey Shore'" | Review, ABC-Univision News, Jan 2013 |
"How Bomba Estereo Blew Up and is Keeping it Elegant" | Profile, ABC-Univision News, Nov 2012 |
“Latin Music’s Queer Revolution: Proud, If Not Always Out” | Essay, Rhapsody, Nov 2012 |
Winter Journal by Paul Auster | Review, Time Out New York, Nov 2012 |
“Café Tacvba: Don’t Call Them the Beatles or Radiohead” | Q&A, ABC-Univision, Nov 2012 |
"What's In Your Suitcase? Lido Pimienta | Feature, ABC-Univision, Oct 2012 |
"Morrissey is Really Mexican-American Inside" | Feature, ABC-Univision, Oct 2012 |
"Junot Diaz Doesn't Stop" | Q&A, New York Daily News, Sept 2012 |
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